Work & Family
Is work really work when it's a dream? When it's friends and family and everything you ever wanted, rolled up into one Pure, Proper, and Beautiful package?
They call it the Takarazuka no Yume for a reason after all.
The stage was my dream from the time I saw my first production at the tender age of seven. I... can not remember what show it was. Then again, I no longer remember any name but the one I took for the stage.
My kind quite often have trouble with the line between dream and waking. And I was dreaming before I was changed. Perhaps that is why I have handled that part of this new existence better. Or not.
Feh, I promised myself I wouldn't talk about such things.
Takarazuka no Yume - The romantic dream.
That magical world created under the lights, the feather and sparkles where Romance is played out in all its glories. Where the women are sweet and innocent and graceful. And the men are dashing, suave and charming. Romantic figures, so much more sensitive and perfect than any real men. Because those of us who play them are women.
My parents supported me getting into the music school, but once in it was my batchmates that were my family. No one else could really understand that burning drive, that pressure, and the hell we went through except those who'd gone through it too. Then that family broke up as we were sorted into troupes and the troupes became our families.
I started in Flower Troupe, one of a number of 'babies', each fiercely competitive for all too rare stage time, for recognition, for that one chance to prove ourselves. Some never make it past that point. For some the pressure outweighed the dream. Those of us who made it were stronger. And closer. We bonded with the upperclassmen and they became our older sisters. The Senka girls were our mothers and aunts.
I was moved to Moon Troupe after a few years, and the first few days I cried. I felt like I'd been ripped out of my house and home, thrown in a whole new world. All I wanted was to go back to Flower, to my family there. But eventually Moon became my family, and Tai-san took me under her wing.
Oh Tai-san... You were big sister and mother and everything. You taught me everything I needed to know to become a top star. I remember with nearly painful clarity the first show when I stood next to you on the silver bridge wearing nibante feathers. And you bowed to me and gave me that small wink and smile. It was exactly like a dream.
Takarazuka no Yume
The shining, brightly colored dream. Shimmering, shining and dancing - a whirl of amazingly over-the-top colors and feathers. Always the feathers.
I still go see shows sometimes, using glamours to cloud my features. Not Moon shows. Never Moon shows.
They call it the Takarazuka no Yume for a reason after all.
The stage was my dream from the time I saw my first production at the tender age of seven. I... can not remember what show it was. Then again, I no longer remember any name but the one I took for the stage.
My kind quite often have trouble with the line between dream and waking. And I was dreaming before I was changed. Perhaps that is why I have handled that part of this new existence better. Or not.
Feh, I promised myself I wouldn't talk about such things.
Takarazuka no Yume - The romantic dream.
That magical world created under the lights, the feather and sparkles where Romance is played out in all its glories. Where the women are sweet and innocent and graceful. And the men are dashing, suave and charming. Romantic figures, so much more sensitive and perfect than any real men. Because those of us who play them are women.
My parents supported me getting into the music school, but once in it was my batchmates that were my family. No one else could really understand that burning drive, that pressure, and the hell we went through except those who'd gone through it too. Then that family broke up as we were sorted into troupes and the troupes became our families.
I started in Flower Troupe, one of a number of 'babies', each fiercely competitive for all too rare stage time, for recognition, for that one chance to prove ourselves. Some never make it past that point. For some the pressure outweighed the dream. Those of us who made it were stronger. And closer. We bonded with the upperclassmen and they became our older sisters. The Senka girls were our mothers and aunts.
I was moved to Moon Troupe after a few years, and the first few days I cried. I felt like I'd been ripped out of my house and home, thrown in a whole new world. All I wanted was to go back to Flower, to my family there. But eventually Moon became my family, and Tai-san took me under her wing.
Oh Tai-san... You were big sister and mother and everything. You taught me everything I needed to know to become a top star. I remember with nearly painful clarity the first show when I stood next to you on the silver bridge wearing nibante feathers. And you bowed to me and gave me that small wink and smile. It was exactly like a dream.
Takarazuka no Yume
The shining, brightly colored dream. Shimmering, shining and dancing - a whirl of amazingly over-the-top colors and feathers. Always the feathers.
I still go see shows sometimes, using glamours to cloud my features. Not Moon shows. Never Moon shows.